The arrangement on the recording is :
Verse 1 CP solo
Verse 2 CP solo
Middle Big Band
Verse 3 CP solo
Bridge(Modulation) Big Band
Middle Piano
Verse 4/Coda Big Band then CP
The version here is a shortened variation of the above that avoids
the modulation :
Verse 1 as per CP solo
Verse 2 as per CP solo
Middle no attempt at emulating the big band sound – I just follow the melody embellished with a few chords
Verse 3/Coda first ½ of CP verse 3 tacked onto 2nd half of CP verse 4.
There are some difficult bits in this – especially the use of
the
C pedal to get the very fast grace notes he uses.
Ultimately, I prove here that a PSG is not the same thing as a saxophone (just as well, or I'd be even more unpopular with the neighbours).
The backing track is good old BIAB, as I couldn’t find a midi that I liked.